Powered by eProject Guide MUSEUMS AND THE ANCIENT MIDDLE EAST: CURATORIAL PRACTICE AND AUDIENCES ED. BY GEOFF EMBERLING AND LUCAS P. PETIT (REVIEW) | eProject Guide

MUSEUMS AND THE ANCIENT MIDDLE EAST: CURATORIAL PRACTICE AND AUDIENCES ED. BY GEOFF EMBERLING AND LUCAS P. PETIT (REVIEW)

Code: CDC72191BA0421  Price: 4,000   60 Pages     Chapter 1-5    6331 Views

into development projects, looks back on post-World War II heritage management and the development of the heritage industry. She points out that today’s threats to cultural heritage are interconnected with larger global crises such as armed conflict, failing states, climate change, and migration that threaten human rights and human life. Fleming asks how those working in the field of heritage can possibly manage or protect cultural heritage in the face of such daunting global challenges. It is not difficult to discern a number of common themes that run throughout the volume: the importance of moving beyond a focus on material heritage to include intangible values and meanings; heritage as a human right, critical to the sustainability and resilience of societies; an acknowledgement that many of the rules, conventions, and guidelines developed to safeguard cultural heritage have been virtually ineffective; a commitment to critical self-reflection and accountability that asks questions such as “Manage, for whom?” and “Who benefits?” Add to these the potential role heritage can play in dealing with global disasters, and the challenge of integrating heritage protection with urban planning and economic development while accounting for diverse values and public benefits. Individually, none of these topics are new or groundbreaking, but considered together they start to elucidate a vision for heritage over the next decade. While the authors here bring a good deal of experience to the task of filling out this vision, many more illustrations of heritage applications in practice will be needed, precisely because of the changing nature of the work. For example, in the context of multinational corporations, what actually happens when archaeologists work for Rio Tinto or the World Bank? Whom do they truly end up acting as advocates, or apologists, for? Critical reflection on both successes and failures, especially when human rights and lifeways are in the balance, will be essential. The volume is also encumbered by an imbalance of discussion about international agencies, projects, and conventions that operate at very large scales, with only a few authors referencing the efforts of indigenous groups, municipal councils, community organizations, and the like. Without these other scales equitably represented, heritage work remains a top-down enterprise of outside experts. This hits home in other ways. Though the need to include more stakeholders and local voices is a cry that resounds throughout the volume, the voices here are almost exclusively those of “heritage experts.” Where are the voices of community members, who seek creative ways to protect and nurture the heritage that sustains them? Overall, and collectively, the authors accomplish the daunting task of calling attention to innovative and meaningful applications of cultural heritage that will become increasingly significant in coming decades. Perhaps another workshop will convene, a decade down the road, to assess where things stand. Hopefully that gathering will have a broader group of “heritage experts” at the table.


Terms of Use: This is an academic paper. Students should NOT copy our materials word to word, as we DO NOT encourage Plagiarism. Only use as a guide in developing your original research work. Thanks.

Disclaimer: All undertaking works, records, and reports posted on this website, eprojectguide.com are the property/copyright of their individual proprietors. They are for research reference/direction purposes and the works are publicly supported. Do not present another person’s work as your own to maintain a strategic distance from counterfeiting its results. Use it as a guide and not duplicate the work in exactly the same words (verbatim). eprojectguide.com is a vault of exploration works simply like academia.edu, researchgate.net, scribd.com, docsity.com, course hero, and numerous different stages where clients transfer works. The paid membership on eprojectguide.com is a method by which the site is kept up to help Open Education. In the event that you see your work posted here, and you need it to be eliminated/credited, it would be ideal if you call us on +2348064699975 or send us a mail along with the web address linked to the work, to eprojectguide@gmail.com. We will answer to and honor each solicitation. Kindly note notification it might take up to 24 – 48 hours to handle your solicitation.

Material Information
  • ₦4,000.00 1 Price:
  • 60 2 No. of Pages:
  • 5 3 No. of Chapters:
  • No 4 Has Implementation:
FOR ENQUIRIES WE ARE AVAILABLE 24/7

Contact us on

DEPARTMENT
LAW